Review: MAUVE // Bouquet EP

MAUVE are a 3-piece Alt-Rock band who released their second EP Bouquet today. We were lucky enough to be given an early listen but this actually made it harder for me because all I wanted to do was add it to my Spotify playlist so that I could play it on repeat.

The EP kicks off with the already released Remember which has seen weekly plays on BBC Introducing. Although MAUVE don’t mention Twin Atlantic as one of their influences, the chorus to Remember could easily be one of their songs (or is that just because I’ve heard the Scottish accent and thought “oooh Scottish accent… must be either Twin Atlantic or Biffy Clyro” – let me know what you decide in the comments). Whichever it may be, the chorus is catchy as hell as well as being easy to learn on the first listen (never a bad thing) with the simple lyric “this will be a night to remember” repeated many a time throughout the 3:29 long song. Roughly one minute before the song ends, we’re treated to a couple of lines of the chorus being stripped of instruments, really enhancing the talent of Steve’s vocals before bringing you back to the main hook of the chorus and seeing the song out with the catchiest part, allowing the crowd to let loose one more time when being performed live. “I wonder if it’s too late” works amazingly as a fade out for this track however I can’t help but wonder what would have been created had it been added mid-song to act as a call and response when performed on stage. Ben also gets to show off his insane drum skills during a short instrumental section at 1:56, along with a nice use of a closed to open hi-hat at 2:23 which really gives this track that bit of ‘breathing space’ that it needs.

Remember music video – MAUVE

Shoreline is the next track on the EP and for this one think a Scottish version of Kids in Glass Houses (pat on the back if you remember that banger of a band). Now, I’m still fairly new to this and I’m also not completely clued up on all technical terms (sorry if that one shows) so if any of you can help me out with a proper way to say this please get in touch but here goes trying to describe this… You know when the rhythm of the music is building up to the crowd going full boogie but it’s also not quite there yet so one of your shoulders and your foot is moving in time to the beat getting yourself prepared? Yeah well anyway the opening to this track is perfect for that. The chorus for this track also comes in a lot quicker than the other two tracks but it’s such a good chorus that it should do. I approve. Shoreline has a massively high energy pop-punk vibe to it with the chorus being incredibly lively. Ieuan’s bass skills have such a nice driving role in this track which is complimented by Ben’s drum beat, combining to give the track it’s high energy sound. The other great thing about this chorus is that it’s very obvious where and when the crowd can get involved when listening. There’s no sudden “oh shit”, the obvious build ups are all there but again, I love this. Nothing worse than a heavier section creeping up on you and making you spill your drink… I paid good money for that, I’d like to drink it not wear it (haha I’m lying, I love me a heavy crowd and I definitely do not complain if I get a drink split on me. It’s a gig – lighten up). The brief pause before the chorus not only provides anticipation but could also be said to be a sign of professionalism – knowing when to take that break to let either the vocalist or an instrument shine through or even just knowing when to build up the excitement for the listener. It’s about knowing when something isn’t needed as opposed to trying to show everything at once and MAUVE have managed to execute this perfectly. Shoreline is another track to have a catchy hook within the chorus (“woah-oh, we’re shackled and we’re sinking fast”). Although the lyrics are slightly difficult to understand at first, this truly is a song in which once you hear what is being said you’re thinking to yourself “holy shit these lyrics are genius”. Having said this, it isn’t a song that requires being understood to be loved or to be catchy. A true banger to have a pint and a boogie to.

The EP ends (sad face) with Brittle which is their longest track at 5:12. This track is massively different stylistically and honestly, if it weren’t for Steve’s strong accent coming through it could be mistaken for a different band. At 45 seconds in, guitar harmonics are used which is rarely heard in songs these days but boy when it is, it sure stands out as something incredible. Brittle is 100% the ballad of the EP but the chorus to this, in my opinion, is “true pop punk” in that it is more of a mixture of shouting and singing – often associated with bands such as The Front Bottoms, Real Friends and Trash Boat. The chorus isn’t heard until 1:36 which is understandable due to the length of the track. The funny thing is that it isn’t until a couple of listens that you realise how long the wait for the chorus is because the build-up just works so well. There’s a hidden, underlying thickness to this track which is not instantly noticeable as it is masked by the ballad-esque vocals and the use of harmonies (“washes over me”) from Steve and Ieuan – however once it is noticed, it acts as a whole other layer to the track. The other mesmerising thing about Brittle is that the beginning of a verse (or perhaps ‘chunk’, depending on how MAUVE themselves see it) nearly always sees a new element being added e.g. verse 2 adding a palm-muted guitar into the track.

It’s going to sound cheesy but it’s honestly true that when I first got sent Remember as a single to review, I didn’t think any of MAUVE’s other songs would be able to top it however I think Brittle may have just pipped it to the post. My favourite thing about Bouquet as a whole is how the Scottish accent can consistently be heard. I love it when a natural accent can be heard as opposed to all the manufactured accents that sound identical. I do understand that with some artists, such as Adele, that is just the way they sing however I have to admit that when it’s a learnt habit (as it can so often be in the genres that I tend to listen to), it can sometimes put me off an artist. There is nothing more frustrating for me than someone singing with an American twang when you just know how English their speaking voice is. ANYWAY, back to the actual matter in hand, MAUVE you killed it. You can see me at your next London show front row singing along because this EP is not coming off repeat any time soon.

Listen to the new EP via Spotify here

Check MAUVE out on Facebook

Review: Time Of The Mouth // Tears

In case you missed it, Worcester-based Time Of The Mouth released their new single Tears two weeks ago (check out our interview with them about it here). Produced by Dave Draper of Tower Studios (who’s also worked with Fort Hope and The Wildhearts to name a few), Tears follows on from the release of their 2018 single, Beautiful Storm. Although they do have an album ready for release, Time Of The Mouth are focusing on live performances and single releases for the foreseeable future.

Photograph by @lissywitchphoto

Having listened to Tears multiple times, and with it having over 3k streams on Spotify and over 25k views on their music video via Facebook, it’s safe to say that I, and others, have not been disappointed. These guys really know how to do classic pop-punk which is absolutely NOT a bad thing – we love a bit of that over here at Burn The Pages. The punchy opening rhythm changes slightly in the second verse to keep the listeners on their toes. When we get to the bridge, we hear our first instance of a lead guitar riff which, while showing off the talented skills from frontman Chris Jones, doesn’t distract from the subject matter of the song. The message of the song is all about encouraging people to try and reach out and seek support for their mental health issues, no matter how small they may feel that they are. The use of their fans in their music video really goes to show just how much the band cares about them and listens to them. They decided to do this after hearing how their music had helped so many people – either through happy memories or through acting as an escape.

Going back to the classic pop-punk(ness) of it, the chorus is first heard within roughly 30 seconds of the song and the lyrics are incredibly easy for anyone to remember. John Feldmann (member of Goldfinger, producer and co-writer for Blink-182, 5 Seconds of Summer etc) talks about how most gig-goers aren’t musicians there to study the instruments, but rather how they want to sing along with people they “believe went through or are going through the same stuff”. By getting to the chorus (and the point) quickly, band members are saying “this is what we’re trying to say and we’re saying it in a way that every single person can sing along”. Time Of The Mouth have nailed this absolutely perfectly and this chorus, mixed in with those beautiful solo drum kicks just beforehand, has provided me with a song that I absolutely cannot wait to see being performed live.

Watch the music video for Tears below:

Stream Tears via Spotify here:

Keep up-to-date with Time Of The Mouth via their socials:

Facebook: Time Of The Mouth

Twitter: @timeofthemouth

Instagram: @timeofthemouthuk

Interview: Time Of The Mouth

Based in Worcester, Time Of The Mouth (TOTM) are a pop-rock trio made up of Chris Jones (frontman and guitarist), Mitchul Tyler (bass) and Ollie Badger (drums). Following on from 2018’s release of Beautiful Storm, we caught up with the guys to learn about them and their new single, Tears.

Photo credit to @ro_bere

Hi guys, thanks for coming in to talk to us! Let’s talk basics first. How did Time of the Mouth form and how did the name come about?

TOTM were formed when Chris (who was 14 at the time) was approached by two school friends who had seen him perform his solo acoustic songs, to ask him if he was interested in forming a band.The name came about when, during a band naming session in Chris’s living room the three 14 year old lads found the name ‘Time Of The Month’ highly amusing, only for Chris’s Mum to enter the room and immediately ban them from using that name, so a similar sounding alternative was sought hence the now familiar version of TOTM.

What’s been your biggest musical achievement of your careers so far?

There have been a few highlights, which have been spread over the time that the band have been together. Playing at the LG arena on the acoustic stage before ‘The Who’ played on their Quadrophenia tour definitely stands out, as does our headline show at the O2 Academy 3 in Birmingham. Getting airplay on radio stations in America and Australia has also given us a buzz.

What drew you to wanting to be a part of the music industry?

A desire to perform, a love for music and a reluctance to accept living in the ‘real world’.

Your new single Tears was released on Friday – congrats guys! The subject of the song is rather dark but sadly all too common these days. Is this something you’ve had a certain experience with?

We have all had experience, either through friends, family or personally of various mental health issues and the message of the song is really to encourage people to reach out and seek support rather than bottle up mental health issues as we know that this can lead to very sad and tragic outcomes.

Do you think there is enough support for the mental health of musicians?

It’s something that is starting to be taken more seriously and there are various organisations out there, like ‘Music Minds Matter’ that have been set up to support musicians with their mental health issues.

It’s quite a serious music video – what gave you the idea to have your fans holding up signs with their diagnoses and issues related to mental health?

We were keen to get our fans involved with this video after getting to know the issues that some of them have have faced in their day to day lives. We have been told on a few occasions that our music has helped them when they have been suffering from mental health issues, as it has either reminded them of happier times, or it has provided them with a form of escape from their problems for a little while. Hearing this has meant a lot to us, and inspired us to come up with the idea for the video, so it seemed very natural to ask some of our friends and fans to take part in the video.

If you could change one thing about the industry, what would it be?

Apart from a guarantee of success for TOTM, we would love the industry to be less about financial resources at our level. We know so many great bands who don’t have the financial clout to buy their way onto tours, or to pay small fortunes for PR or guaranteed radio airplay, so a more level playing field would be fairer and would help make the industry more pure and more talent based. The total extermination of the entertainment culture that brought us the X-Factor and BGT would be nice too…

What has the rest of 2019 got in store for you guys?

We have an album ready to launch when the time feels right, but for now it’s really about getting out all across the UK and playing as many shows and festivals as we can to as many people as possible. We are working with some great people who are helping us to build on our successes so far, so you can expect a couple more singles, videos and hopefully a lot more exposure for us during the rest of 2019.

Check out the video for their new single Tears below:

Catch Time Of The Mouth at West Street Live in Sheffield on May 6th or at Uncover in Worcester on May 31st

If you feel like you need someone to talk to, you can contact Samaritans on 116 123

Recommendations: Sophie’s Selection

Hey guys, sorry for being slightly MIA but it’s a time to celebrate! This is the first of one of two regular features (the other is coming Friday). This one will include guest writers so you don’t have to get too bored of me (party over here).

Okay so without further ado, let me introduce to this feature. Below we have 10 of my top tracks. They aren’t all brand new but I’ve tried my hardest to include a couple and wow, if I’ve learnt anything it’s that I need to get my nostalgic ass out of my comfort zone and into the New Music Friday playlist on Spotify. Hopefully the guests can help me out with that one in the upcoming weeks but for now, throw yourself into some of these slightly older (but hopefully still unknown to you) songs.

Rhett Price – California Love

Although California Love, originally by 2Pac ft. Dr. Dre, isn’t one of my favourite songs, this genius just seems to know how to make any track sound insane in a whole new way. He truly taught me to appreciate a violin and as you can tell with my pick of Happiness (Reworked), it sure worked. Make no mistake though, for some reason this dark horse has kept his best work on Facebook including the likes of Fetty Wap’s Trap Queen – and yes, I did really just say that.

Fever 333 – ONE OF US

Okay, so firstly a warning – don’t listen to this around your grandparents. But if you’re all for nostalgia, you’re going to love the screaming which will throw you back to the early 00s and the vocals will remind you perfectly of bands like Sum 41. If you can get one step further and see them live, fucking do it. I can promise you you won’t have a fucking scooby what’s going on about 98% of the time and, trust me, you won’t be the only one but oh wow, it’s an experience that you absolutely don’t want to miss. I never have quite forgiven myself for going to the loo during their set and finding out I missed him smash up his drum set for the fun of it…


Dean Lewis – Be Alright

Lewis, an Australian singer-songwriter, released his debut album two weeks ago but his single Be Alright is definitely still my current favourite and has been the only song I’ve been sure of making this list since I had the idea three months ago (yes, it’s taken that long, shh). Although this song is about being cheated on and going through a breakup, it’s actually a combined number of experiences of both his own and his circle of friends. Whatever it’s about, it sure is relatable as hell with lyrics such as “I know you love her but it’s over mate / it doesn’t matter, put the phone away” and “it’s gonna hurt for a bit of time / so bottoms up, let’s forget tonight”. Okay, Dean, we hear you. We’re crying too.

Deaf Havana – Happiness (Reworked)

The funny thing about this song is that because it is my favourite song literally ever (and if you know me, you know how hard I find picking favourites), I don’t even know where to start. His insane vocals that just amaze me with every bloody song they produce? Those strings that come in towards the end that you don’t expect but my god, they make an already-perfect song better? The lyrics that I can actually kind of relate to? Guys, just go and listen. Nothing I can say will do it the slightest bit of justice so I won’t even try. Seriously, just go and listen. (P.S. if you want MORE chills, listen to the Live at Brixton Academy version – oh BOY.)

Handstand Parade – Want More

Hello, controversial time. I don’t like The 1975, okay? I think they’re rather overrated and although I can bop to a couple of their first EPs I JUST DON’T SEE IT, OKAY? Whew, that felt good to get off my chest. Anyway, if you’re like me but you still like that style of music then check out Handstand Parade. Think of them as The 1975’s younger brother with the same chilled out vibes as You. Want More is about them writing a letter to their teenage selves saying goodbye and telling them they’ll be making them proud.

James Bay ft. Julia Michaels – Peer Pressure

James, I love you, okay? And now I love you more because this time you only made us wait a year for new music. Fresh off the back of his Electric Light tour, Bay paired up with Julia Michaels to bring us Peer Pressure – a song all about meeting the right person. He says of the song, “It’s about that person who, no matter how much of a guard you hold up, finds their way through to you”. So with that relatable content, and Bay’s classic guitar, guess who’s going to have this on repeat until the end of time?

We Three – Heaven’s Not Too Far

We Three, three siblings from Oregon, first appeared on the first episode of Season 13 of America’s Got Talent last year. They took both the judges and social media by storm with this song as their first audition – a tribute written to their late mother who sadly passed away two years earlier. With lyrics such as “I’ve got to move up north / but it’s just temporary” and “no honey, I don’t want to go / please know that I have to” sung by Manny’s strong lead vocals, this one’s bound to be a tearjerker. The siblings also commented that every listen of this song for them is like “having another conversation” with their mum – who started chopping onions in here?!

Holygood – Oh No!

If you think you know the voice and you can’t figure out why, there’s a slight chance you’ll recognise them as Light You Up who, let’s face it, had a banger of an album with All You’ve Ever Known (check that out too, trust me). After an unexpected period of quiet following this album, things started changing in January when they reappeared, announcing they would now have a new identity: Holygood. Oh No! is classic pop-punk but oh god, it’s good. If that’s your style, check this and their other single Darling out. You won’t regret it.

Lewis Capaldi – Someone You Loved

I’m sorry, okay? I told myself I was going to try to not include songs that everyone and their mother knew but honestly it came on shuffle when writing this blog post and it felt like a sign. I don’t even need to speak about this track, we all know it does that itself.

Bring Me The Horizon – ouch

This track, from their new album amo, could be considered monumental for frontman Oli Sykes as he finally addresses his relationship with Hannah Snowdon. When talking about the track, he makes sure fans know he’s not wallowing in it any longer but that it was also an incredibly painful time for him. Can we also just mention that glo-up from “so you can drag me through Hell / if it meant I could hold your hand” in Follow You to “and I know I said you could drag me through Hell / but I hoped you wouldn’t fuck the Devil”. YES OLI.

Right that’s me out guys. I hope this hasn’t been too long a read for you – apparently I waffle on a lot. Who knew? I also hope that it hasn’t been too obvious and that you have been able to discover a few new songs. Stay tuned for the next version with a special guest!

To make it easier, we put them all into one playlist for you which you can check out below:

Day Festival: Free Mind Festival

Free Mind Fest is a day festival run by Amber Holloway taking place on Sunday 24th March (yes folks, that is this weekend). The festival is showcasing 13 artists over 2 stages, one being unplugged. All profit will be split between two charities: ‘Mind’ and ‘Music Minds Matter’, the latter being run by Help Musicians UK. These charities have been chosen by the festival director due to the rising number of mental health issues within both the industry, and the everyday world. All artists performing have had first or second-hand experience with these issues.

‘Mind’ provide advice and support to empower anyone experiencing a mental health problem. They campaign to improve services, raise awareness and promote understanding and don’t plan on giving up until everyone experiencing mental health problems gets the support and respect they need.

‘Music Minds Matter’ is for anyone working in the music industry however it doesn’t have to be a crisis, or about music. Help Musicians UK have been supporting musicians for 97 years and therefore understand the complexity of working in music.

Headlining the main stage, we have the bouncing 2-piece indie band ‘The Tin Pigeons’ from the East Midlands. Their debut EP ‘Sparks’ was released in 2016 with their single being named as BBC Radio One’s ‘Introducing Track of the Week’. This led to huge support being gained from the likes of Greg James and Huw Stephens. Having taken a well-earned break and recording new material, ‘The Tin Pigeons’ are back and raring to go. Check out their latest single ‘You’re No Fun’ below:

Headlining the unplugged stage is pop/folk duo ‘All Faces’ who met whilst studying at BIMM London. Influenced by the likes of Bon Iver and The Lumineers, they formed in late 2017 where they managed to achieve their distinctive sound. Fresh off the back of a gig with Sofar Sounds, catch them on Sunday. Check out the acoustic version of their single ‘Welcome Home’ below:

As well as these two singles, Amber has taken the time to put together a Spotify playlist so that you can get a taster of the day. Isn’t she kind? Listen here:

Here at Burn The Pages, we’ve managed to secure half price tickets for all you lovely readers. Grab them from this link: https://www.musicglue.com/freemindfest/events/f048637ce378902d/f7fc4784-eddb-4610-ac51-7aa4cfc999fe

Find the festival at Omeara, a five minute walk from London Bridge station

There is a age restriction of 16+

Doors: 3pm Curfew: 10pm